Maschine mk3 used1/5/2024 But the fact remained when it came to hands-on beat making, be it the immediacy, workflow or sound, many still longed for a modern MPC-style solution. Despite its sound, legacy and aforementioned workflow, it was phased out in favour of bigger screens, more CPU and flexibility offered by the modern DAWs. No piece of hardware encapsulated that elusive ‘workflow’ better than the Akai MPC, a legendary sampler and ‘groovebox’ used by everyone from J Dilla and MF Doom to Mark Ronson and Kanye West. Computers had become powerful enough to supersede hardware-packed studios that came before, meaning that while in-the-box music-making was possible, powerful and largely prefered, the tactile feedback and focused workflow of hardware was missing from the modern studio. You need to use it a lot, and for myself it is not good enough in response and too small, or at least the UI gets too small for the size of the Display sometimes.When Native Instruments first released Maschine, it was attempting to fill a gap. What I really dislike about the Akai-Devices is the touch pad. On top of that: The Force isn’t exactly as powerful when sampling and slicing than the MPC series, if that’s okay for you, I think the Force is better than the MPC (at least for me), as its way faster to work with the Pattern-Grid on the Force than on the MPC. The MIDI Implementation in the M+ was really really bad for someone who uses external gear, as changing Presets was hacked into the device in a way that is not really useable. I liked the Arranger of the M+ more then the Force tho. With the one big update they added tons of possibilities for modulation and using the controls. Being able to export Projects to Ableton might be a plus for you too. I loved the big Grid of the Force, for playing notes as well as using as pattern-Launcher like in Ableton. Dunno if it changed, but you where not really able to browse directories but had to run through all samples in one list. The Hardware itself feels really really good! Sample-Management was a nightmare back when I had the M+. Sample-Work ist great, but I would prefer Akai here too. What I disliked about the M+ was, that you depend on Presets when using Synths, or create them your own at the computer instead of the Maschine itself. So, in 2022 what machine do you experts recommend me for my music production needs, Maschine+ or Akai Force? So the ease and speed of exporting stems to the computer daw is another priority to me. I’d make the final mix (with effects and automations) in Ableton Live in any case. Last thing, I don’t pretend to finalize the arrangements on a standalone groovebox. I don’t really rely on super cool software synths for my music production (I use them only for pad textures and bass lines) and what I really care is the slicing/chopping samples ease and speed. And for what I could understand the MPC like workflow of the Akai Force should be the same. But I’ve tried the MPC software with a MPK Mini MK3 and its workflow was like a nightmare to me. On the other hand, the Ableton Live like workflow of the Force (clip and scenes) and the fact that you can export projects from the Force to Ableton Live would makes me feel more in my comfort zone with this machine. I’ve never used Maschine software but i really really like the design of the hardware and the workflow for putting down new ideas (for what I could see watching YouTube videos). I’m really undecided between Maschine+ and Akai Force. I’m a brand and digital designer in my daytime job so I’m looking for a standalone machine that lets me stay away from my Mac when making music. I’m a Ableton Live user since 2010.Īfter a couple of EPs and some remixes released, I took three sabbatical years from making music but now I’m felling it is time for a fresh start.
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